Hanyoyin dabarun zamani don gadaje na fure da masu haɗuwa

A rayuwarmu, rhythms da maimaitawa suna taka rawa ta musamman. Sabili da haka, ba abin mamaki bane cewa mafi mashahuri da nasara a cikin tarihin fasahar ƙirar shimfidar wuri don adana gadaje na fure da furanni na lambun kuma har yanzu dabaru masu tsinkaye ne. Haife shi azaman magani don rashin wahala da duhu lokacin cika yankin a ƙarƙashin shinge, sautin a cikin gadaje na fure ya zama ɗayan kayan aikin da ba makawa ba tare da wanda ba za'a iya samun nasara ba wajen shirya rikice-rikice masu rikice-rikice. Babban maƙiyin monotony kuma abin mamaki mai sauƙin wannan fasaha na wasa tare da rawar murya yana ba ku damar ƙirƙirar launuka masu kayatarwa, marasa daidaituwa da tausayawa.

Hanyoyin fasahar tsirrai wajen ƙirar gadaje na fure

Hoto a cikin shimfidar wurare shine mafi mahimmancin fasahar zane zane, wanda ke ba da cikakkiyar kayan aikin lambu, makamashi, haɗin kai da haɓaka, yana haifar da mamaki da sha'awar, yana tayar da motsin zuciyar kuma yana saita yanayin kallon a cikin lambun, kamar dai tura shi don motsawa. Sauti yana sarrafa tsinkaye da tsinkaye, yana aiki da ƙyallen kuma a zahiri yana saita sautin don rayuwa a gonar.

Tasirin kari a kan abubuwan da aka tsara, ya fi sauki a bayani kan matsalolin da hakan ke taimaka wajan fada:

• rashin nishaɗi
• monotony;
• face face;
• gajiya
• haushi da damuwa;
• monotony;
• rayuwar yau da kullun;
• rashin hankali

Musamman sosai ikon wasa tare da kari a koyaushe an nuna shi a cikin lambunan Turanci na gargajiya tare da shinge na wajibi, wuraren tafiya da wurare masu amfani. A zahiri, daga zane ne don dasa perennials masu launuka a karkashin bangon kore ko shinge, don ƙirƙirar ragi rataye tare da kewaye na wani lambu ko wani yanki daban daban da ke ɗaukar tsayin gaba ɗaya, kuma manufar karɓar karɓa na zane ya dogara.

Aukar hoto hanya ce ta duniya wacce ake gabatar da bambance bambancen cikin manyan manyan tsirrai da kuma abubuwan da aka tsara a kan babban yanki. A cikin manyan wuraren shakatawa da gidaje, har da nau'ikan gargajiya tare da gadajen fure mai kama da juna wanda ke gudana daga kowannensu da kuma lawn tsakanin su na buƙatar ƙwarewar musamman don hana monotony da rashin ƙarfi. Daga cikin lambunan aristocratic tare da wurare masu yawa, raƙumi a yau ya samo asali a cikin mahimman fasaha a cikin ƙirar kowane, har ma da ƙaramin lambun fure, lambun fure, rukuni mai faɗi - a matsayin ɗayan kayan aikin yau da kullun a cikin arsenal na kowane zanen shimfidar wuri.

Kiɗa a cikin ma'anar zane zane shine ainihin dabarar dabara ko hanyar ƙirƙirar abun da ke ciki tare da fasali da asymmetry, bambanci, sikeli, sashi mai tsayi, da dai sauransu. Wannan wata hanya ce ta duniya wacce zata “kara kazanta” duk halayen kayan ado na hadaddun hadaddun, kawo gadajen furanni da furanni cikin jin dadi da kuma “kyawawan kololuwa”, yana basu ban sha'awa, harma da kwantar da hankali, nutsuwa. Kiɗa yana ba da kowane irin ɗabi'ar aminci, tsari, tsari da ɗaukar kowane hargitsi, ko da launi. Kuma yana "aiki" akan kowane lambun fure - tare da nau'in tsiro na dozin, kuma tare da amfanin gona ɗari a kan gadaje na fure waɗanda aka fara ko ƙirƙira ba tare da tsari ba, tare da kowane palette mai launi. Ikon iyakance, haskakawa, da tsara tsarin launi na rubuce-rubuce na musamman ne: idan kun yi nisa sosai da bambanci da bambanci, to, abubuwan da ke tattare da yanayin 3-5 ne kawai ke daidaita kowane irin aibi cikin wasa mara kyau na launuka da sifofi.

A aikace, kari shine maimaitawa, kwafi abubuwa da kuma nisan da ke tsakaninsu (ko duka waɗannan abubuwan haɗin guda ɗaya a lokaci guda), ƙirƙirar kuzari na abun da ke ciki da gabatar da sakamakon tsari a cikin ƙirar. Don saita sautin, abin da aka zaɓa (ko maɓalli), kuna buƙatar maimaita su aƙalla sau 3, amma ba fiye da sau 10 ba, sanya su a iri ɗaya ko canza nesa. Lokacin da tsananin yaduwa, maimaitawa da kari, da karfin tasirin tunaninsa. Amma tun da an iyakatacce iyakar motsin rai, maimaitawa zai iya zama maimakon ynamarfafawa, akasin haka, haɓaka lamuni ɗaya. Sabili da haka, fiye da sau 10 "kai tsaye" ba a amfani da dabarun rimthmic koda a cikin manyan abubuwa.

Hanyoyin fasahar tsirrai wajen ƙirar gadaje na fure

Ya danganta da yadda tsarin rikice-rikice da tsauraran da aka bayar ta hanyar rythm yake, dabarun yin maye sun kasu kashi biyu:

Tsayayye ko tsaka-tsaki. A gare shi, abu da aka zaɓa ko kashi ana maimaita su daidai da nisa. Ana amfani da wannan abin zamba a cikin salo na yau da kullun da kuma ƙirar minimalistic tare da mai da hankali kan joometry, tasiri na yau da kullun da kuma litattafansu. The staty rhythm mafi yawanci ana amfani dashi don ƙirƙirar masu haɗuwa da rabatka, sanya adaddin lafazin da aka zaɓa a cikin layi ɗaya a cikin nisa. Tsarin awo, bi da bi, ya kasu kashi biyu:

• mai sauƙi, tare da kashi ɗaya ko shuka maimaitawa a lokaci ɗaya - don matsakaici-sized da abubuwa marasa-tsawo;
• hadaddun, wanda aka ƙara sau ɗaya ko biyu a cikin babban muryar mai sauƙi - shirya ƙasa da akai-akai kuma tare da tazara daban, mai da hankali ko launuka masu launi waɗanda suka bambanta cikin yanayi, rushe ƙaƙƙarfan ƙa'idodi na asali da ƙirƙirar jituwa da maimaitawa da yawa a lokaci guda (don iyakoki mai tsawo da ragi, manyan gadaje furen fure, masu magana da carpet).

Cikakke ko saƙo na kiɗa. Abubuwa da nisa suna canzawa kamar kayan kiɗa, "pulsate", sannan raunana, sannan kuma sake bayyanar da cikakken iko. Ana amfani da irin wannan salon rudu a cikin shimfidar wuri mai faɗi na zane wuri mai faɗi da kuma lambunan zamani ba tare da rinjaye ba. Mafi sau da yawa, sautin musika yana bayyana azaman kalaman, mai kamanni, discontinuous (dotted) kari, amma yana iya zama mafi asali. Tare da irin wannan dabarar rimi, zaka iya yin gwaji mara iyaka, ta amfani da abubuwa daban-daban a wannan tsinkaye ko, a taqaice, abubuwa iri daya a cikin nisan murabba'i daban, wasa a kan rubutu ko bayanai dalla-dalla, aiban launi, layin, da sauransu.

Sauƙaƙan dabaru masu rikitarwa sun sha bamban da ƙarfin tasirinsu.. Tare da yin amfani da madaidaiciya, kusanci iri ɗaya da abubuwan, tasirin ruri yana da ƙarfi da kuma mai da hankali. Idan kayi wasa tare da nesa, sanya abubuwan rhythmic ba daidai ba, sakamakon yana dan taushi sosai, babu tashin hankali na gani da tasiri. Amma a gefe guda, lambun fure ko ragi ya bayyana a matsayin mafi yawan hadaddun rubuce-rubuce masu tarin yawa, cikakkun bayanai waɗanda nake so nayi la'akari da su ƙarshe.

Thearfin bayar da gonar fure don kari na iya zama da rikitarwa a cikin ka'idar, amma a aikace ba haka bane. Isaukar rigakafin an tsara shi don tayar da hankula, kuma yana kan su cewa kuna buƙatar jagoranci yayin ƙirƙirar gadaje na fure, masu haɗuwa da rabatka a cikin hanyar neman hanyar da za su iya yin keɓaɓɓun bayyanawa. Ba a kama rudu ba ta hanyar tunani da gani, amma ta yanayi, sha'awa da ji. Kuma ainihin su ne cewa dole ne muyi ƙoƙarin yin amfani da lokacin da muke amfani da dabarun rhythmic, tare da tuna cewa yana da sauƙin sauƙin tare da su.

Abu ne mai sauqi ka fahimta saboda babu kayan kida da yawa ko hanyoyin da zaka iya haifar da kari cikin kayan adon kamar yadda ake tsammani da farko.

A zahiri, akwai hanyoyi guda biyu kawai don yin wasa tare da kari na lambun fure:

1. Karin magana a tsaye. Wannan shine mafi bayyanannu, ingantacce kuma mai sauƙin koya. Intaddamar da "kololuwa" na gani a cikin abun da ke ciki kuma yana ba da kari daidai da taimako na a tsaye, kuna ƙirƙirar ƙirar asali a cikin abun da ke ciki. A tsaye suna ba da kowane taro, suna ba shi bayyani, canji tsinkaye da gwagwarmaya tare da rashin ƙarfi. Kuma kamar yadda lafazi a tsaye, ba lallai ba ne a yi amfani da dalaram na yew ko privet: wannan rawar ana iya aiwatarwa ta hanyar, perennials masu tsayi, da gumaka, bishiyoyi, har ma da goyan baya tare da vingines na fure. Ba lallai ba ne a yi amfani da tsirrai ɗaya kaɗai: yana yiwuwa a sanya gungun tsirrai masu tsayi tare da maimaitawa kuma ƙirƙirar hadaddun “pyramids” da bambance bambancen tsayi don cimma abin da ya yi daidai da jituwa ta musika.

2. Launi da siran rubutu. Dasa tare da rukuni na tsire-tsire tare da launi mai faɗi ko bambantawa a cikin girman da nau'in ganye, located a guda ko bambanta nesa, kada ku kama ido nan da nan. Kuma rawar da suke takawa a sa rana ba koyaushe a bayyane take. Launin magana da rubutu da rubutu a bayyane ana saukar da su sannu a hankali, amma suna ba da yawancin motsin zuciyarmu da nunawa sama da lafazin tsaye. Yin amfani da launin launin toka yana ba ku damar duba ma'amala har ma da kayan haɗin magana. Maimaitawa launi iri ɗaya ko tsarin ganyayyaki na iya canzawa daga lokaci zuwa lokaci, ɓace ko ɓoye juna da sauran fasahohin yin kama-karya. Don haka, ko da hosta ko fern bushes sanya su a daidai wannan lokaci na iya ƙirƙirar ƙarancin ƙarancin hoto fiye da yadda aka zana akwatin katako idan suna kewaye da tsire-tsire ba tare da tasiri iri ɗaya ba. Kuma fure soloists da aka yi amfani da su a cikin rabot, wanda aka sa shi cikin tsari mai ƙarfi, zai ba kowane samin ƙarfin kuzari. Kuma idan muka samar da kari daga mai masaukin baki tare da tsauraran kiyaye nesa tsakanin busheshen astilbe ko hehera, to za a kara launin rukunin sauran tsire-tsire a cikin rudani na asali.

Dabaru na ƙyalƙyali a cikin shimfidar wuri

Hanya mafi sauki ita ce yin nazarin fasahar gabatar da amfani da kari a cikin kayan gwaji ta hanyar manyan tsirrai - huda da ciyawa. A madadin bishiyoyi masu bishiyoyi tare da bishiyoyi a cikin bishiyoyin bishiyoyi, dasa shuki shuki iri iri ɗaya a daidai hanya tare, amfani da iri ɗaya don itacen inabi daidai yake, hanyoyin tafiya, jerin gadaje fure ko gadaje, alamomi - waɗannan duk misalai ne na fili.

Idan ya zo ga gadajen fure-fure da masu hade da ruwa, rabatok da sauran nau'ikan rubuce-rubucen tare da yawan tsire-tsire, abubuwan da ke tattare da yanayin tsinkaye suna da rikitarwa. Bayan duk hakan, wajibi ne don yin la'akari da ma'amala da dama abubuwan da ƙirƙirar haɗin gwiwa wanda ke tabbatar da kuzari ba tare da rikicewa ba. Amma duk abin da ya kasance guda ɗaya mai sauƙi koyaushe da kuma ko'ina: an gabatar da kari a matsayin maimaitawa daban yanki na musamman. Rushewar mahimmancin rudani da kuma bukatar “lissafa” (ko kuma a'a, kar a rasa shi) a cikin hadaddun bayanan rikice-rikice sun kasance babban wahalar amfani da rudani daga kwararru. Aƙwalwa fasaha ce mai sauqi qwarai, kuma kawai fahimtarta da tasirinsa abu ne mai wahala da rashin tabbas. Kawai yadda salon yake canza motsin zuciyarmu da yadda yake sarrafa yanayi da motsi, baza ku taba iya magana game da “abu guda” daban ba: tasirin koyaushe kan dogara ne akan hulɗa, alaƙar yin umarni da yanayin tare da juna. Amma wannan bai canza asalin fasahar da kanta ba, yana isa ga kowa ba tare da togiya ba.